Friday, December 14, 2012
... PORTA NIGRA "Fin de Siècle"
PORTA NIGRA "Fin De Siècle" (Debemur Morti Prod)
Ah, the « fin de siècle » atmosphère !
Decadence, perversion, sturm und drang, drug-induced poetry, alcoholic cynicism
and the concept of 'la charogne' so delightfully put into words by J.K.
Huysmans. The art of the 19th century, a magnificent sense of decay
so rarely correctly put into music. In the Metal scene, the fin de siècle ethos
used to be part of the Black Metal scene in the late 90's, with bands like
Cradle Of Filth, Ebonylake or Forbidden Site leading the rats. But, as the 90's
turned into the 2000's, and the fin de siècle turned into the begining of a new
era, the public lost interest in the decadent motto. The symphonic Black Metal
bands disappeared one by one, and Dark Metal became a tongue-in-cheek insult to
describe bands that were using an semi-extreme attitude to sell a completly
commercially prostituted music.
This brings us to the first album from german duo Porta
Nigra. Their first EP, released in September 2012, was showcasing a promising
take on the classic Black Metal formula, blending it with some Doom/Death
elements and a sense of decadence I
thought lost a decade ago. The cover art shows perfectly what the album is all
about : absinthe, a ritual which is today more a kind of way to get drunk
on a strong alcohol (and not with the original recipe, since real absinthe is
generally illegal in some countries, including France) than the lifestyle it
was during the 'bohème' period. Fin De Siècle is an album whose music is
bathed in the languid vapors of this alcohol, occillating between calm suites
of delicate music and violent eruptions of anger.
The basic is Black Metal, albeit not your usual
corpsepainted-goblin-screaming-loudly-in-the-forest kind. Catchy choruses,
tortured yet guitars, eerie keyboards and ghost-like vocals are the norm, with
an atmosphere not unlike some of the best occult/horror Doom bands coming from
Italy. The mixing of genres is good and well done, culminating in the
impressive song 'Megalomaniac'. Porta Nigra manage to create something unique
in nowadays Black Metal, yet it still miss a little something that would make
them nothing but awesome. Some kind of frenzy that you can find in the last
Ebonylake album, some kind of theatratical madness like Notre Dame used to
have, or the same kind of avant-gardism as Le Grand Guignol (the band from
Luxembourg : check their only album, it's worth every penny you'll spent
for it).
But considering that Fin De Siècle is a first album,
with a unique identity of its own and resurrecting a way of thinking that's
sorely missing nowadays, I bet that it's just the begining of more good things
to come from Porta Nigra. So let us raise our glasses to them, and hope they'll
continue their decadent descend into madness for more years to come. I'll be
delighted to listen to that.
words by Laurent Lignon
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