Showing posts with label ICE DRAGON. Show all posts
Showing posts with label ICE DRAGON. Show all posts

Saturday, December 21, 2013

... 2013 Year's end list PtII w/ WO FAT, BEELZEFUZZ, ATARAXIE, ICE DRAGON, MOURNING DAWN, etc...

1) BEST ALBUMS OF 2013
- Cathedral “Last Spire”
- Autopsy “Headless Ritual”
- Voivod “Target Earth”
- Satan “Life Sentence”
- Black Oath “Ov Qliphoth and Darkness”
- Culte Des Ghoules “Henbane”
- Grave Upheaval “ST”
- Grave Miasma “Odori Sepulcrorum”
- In Solitude “Sister”
- Avatarium “ST”



2) BEST EPs/DEMOS OF 2013
- Solstice “Death’s Crown Is Victory”
- Disma/Convulse “days of death “
- Bölzer “Aura”

3) BEST LIVE PERFORMANCES OF 2013
- Disma at Wolf Throne
- Indesinence at killtown death fest 
- Black Sabbath in Paris (Bercy)
- Tribulation at killtown death fest 
- Trouble at Dutch Doom Days 

4) BEST ALBUM COVERS OF 2013
- Voivod “Target Earth”
- Slough Feg “Laser Enforcer“
- Grave Upheaval “ST”

5) BEST SONGS OF 2013
- Cathedral “This Body, thy tomb”
- Autopsy “Slaughter At Beast House”
- In Solitude “A buried sun”
- Tribulation “Wanderer in the outer darkness”
- Ocean Chief “Dean Scanna Styrkan”

6) BEST OVERLOOKED ALBUM OF 2012
I don’t have any.

7) MOST ANTICIPATED ALBUMS OF 2014
- Swallowed
- While Heaven Wept
- Krypts

8) It was a really productive year for me as I was able to release two new albums in total: Funeralium “Deceived Idealism” in February and Ataraxie “L’être Et La Nausée” in September. That’s always frustrating to have your albums delayed again and again. Regarding gigs, I particularly enjoyed myself playing at Killtown Deathfest as I saw lot of cool bands and met some cool people there. As for other gigs in general, that was also nice to play again with Mournful Congregation, Mourning Beloveth, Ophis or Marche Funèbre as they now are long time doom comrades.
As for what happened in 2013 in our world, we were one more time overfed with sterile and nonsense debates. That’s what I call the culture of VOID! Media know too well how to manipulate the mass so as avoid REAL debates and help politicians to keep on getting more and more from us without facing any trouble. Anyway, don’t hope for any better things now…

9) BEST LABELS OF 2013
- Weird Truth
- Ostra Records
- Iron Bonehead



Kent (WO FAT)
Best Albums of 2013
1. Earthless "From the Ages"
2. Tombstones "Red Skies and Dead Eyes"
3. Church of Misery "Thy Kingdom Scum"
4. Egypt "Become the Sun"
5. The Disease Concept "Your Destroyer"
6. Elder "Spires Burn/Release"
7. Ultra Magnetic Mega Galactic S/T
8. Mothership S/T
9. Dark Earth/ Bibles and Hand Grenades split
10. Harsh Toke "Light Up and Live"
11. Switchblade Jesus S/T
12. Arrowhead "Atomsmasher"

Best Live Performances
I saw some amazing shows this year and it's tough to pick the best, but I think I would have to say that one night - April 20th at Roadburn - will always be a memorable one for me.  I saw High on Fire sound better and rock harder than I've ever heard them sound before and I also got to see Elder absolutely destroy as well.  In addition to the great performances by the bands, the vibe at Roadburn with the crowd and fans was a transcendent experience for me.   Awesome, awesome experience that I'm thrilled to have been a part of.
The other absolutely epic show I saw this year was Sleep in Denton, Texas.  

Best Album Cover
Earthless "From the Ages"

Best Songs of 2013
1. Egypt "Ancient Enemy"
2. Earthless "From the Ages"
3. Black Pussy "Galaxies"
4. Church of Misery "B.T.K."

Most Anticipated Albums
The new Blood Farmers record
The new Las Cruces record

Personal Thoughts about 2013
2013 was a great year for me.  We did our first European tour and got to be a part of both Roadburn and Desertfest London, which were among the coolest shows I've ever gotten to play.  I also saw so many great performances and got to see some of my favorite bands live that I thought I may never get to see.  Some of the kick ass sets that I saw this year were Sleep, Orange Goblin, Church of Misery (who finally made it to Dallas), Ufomammut (at Desertfest),  Egypt, Kadaver,  Lowrider, Saint Vitus, Ape Machine, Freedom Hawk, Dark Earth, Black Pussy.... So many great bands, so many great shows. 

2013 also was a landmark year for me because myself and Michael and Tim from Wo Fat bought the studio that I have worked at for many years and that all of the Wo Fat albums were recorded at. 


Clint (Hand of Doom radio)
1)BEST ALBUMS OF 2013  (I took it to 11 and went one louder. I could have made 10 louder, but this list goes to 11)


2)BEST EPs/DEMOS OF 2013 

3)BEST LIVE PERFORMANCES OF 2013
SLEEP / SUMMONUS / THE DEVIL RIDES OUT @ THE MANNING BAR, SYDNEY 27 OCT
SLEEP @ THE PRINCE BANDROOM, MELBOURNE 26 OCT
KADAVAR / BLUES PILLS / CHILD / KING OF THE NORTH 26 NOV
OM @ THE HIFI BAR, MELBOURNE

4) BEST ALBUM COVERS OF 2013

Beastwars – Blood Becomes Fire – epic work from Nick Keller


5) BEST SONGS OF 2013

6) BEST OVERLOOKED ALBUM OF 2012
For me that’s the “Dale” EP by Aleph Null which came out in January of 2012 – seriously overlooked and far better than a lot of the full length albums released last year. This didn’t miss my attention in 2012, but given how great it is the lack of attention it received was criminal!

7) MOST ANTICIPATED ALBUMS OF 2014 
Yob
Crowbar
Elder

8) This year in Australia – seeing live shows from  Sleep, Church of Misery, St Vitus, Kadavar, Blues Pills, Kingdom of Sorrow, Red Fang, Orange Goblin, Vista Chino,  along with some seeing some amazing Australian bands in Child and Horsehunter take shape (these bands will have some impressive albums out in 2014!), a new album from Clagg was a highlight also.

Hoping to hear some new tracks from Yob and Crowbar at Roadburn, and Elder at Desertfest Berlin as well as getting to see all three of these bands live for the very first time. Cannot wait to meet Windhand and see them live at Roadburn and Heavy Days in Doomtown. And am very much hoping to see the amazing Aleph Null perform live at some point during April when I’m in Europe.


Eric (Switchblade Jesus)
1) BEST ALBUMS OF 2013
Clutch - Earth Rocker
Red Fang - Whales and Leeches
ASG - Blood Drive
Kylesa - Ultraviolet
Egypt - Become the Sun
QOTSA - ... like Clockwork

2) BEST EPs/DEMOS OF 2013
Buzzard
Funeral Horse
Valley of the Sun - Gunslinger

3) BEST LIVE PERFORMANCES OF 2013
Clutch/Sword/American Sharks
Cro-Mags/Black Tusk/Intera Arma/Switchblade Jesus

4) BEST ALBUM COVERS OF 2013
 Sandrider - Godhead
Traitors Return to Earth - Betting on a Full Collapse

5) BEST SONG OF 2013
 Clutch - The Wolf Man Kindly Requests…

6) BEST OVERLOOKED ALBUM OF 2012
 The Heavy Eyes - Maera

8) Being able to jam with some amazing musicians during the year. A frieght train of killer times and tunes.



Joe (Ice Dragon)
1) BEST ALBUMS OF 2013  
In no order:
Guided by Voices – English Little League
Teenage Guitar – Force Fields at Home
Robert Pollard – Honey Locust Honky Tonk
Robert Pollard – Blazing Gentlemen
Circus Devils – When Machines Attack
Circus Devils – My Mind Has Seen the White Trick
Voivod – Target Earth
Reg King – Looking for a Dream
Nisson – The RCA Albums Collection
Nektar – A Tab in the Ocean reissue

2)BEST EPs/DEMOS OF 2013
Only heard two: 
Guided by Voices – Down by the Racetrack
Guided by Voices – Glue On Bicycle

3)BEST LIVE PERFORMANCES OF 2013
In no order: 
Killing Joke The Musical Box Goblin
Vektor Toss-up between The Zombies or The Monkees 
4)BEST ALBUM COVERS OF 2013
In no order:
Circus Devils – When Machines Attack G
uided by Voices – English Little League
I want to say Ice Dragon – Born a Heavy Morning but instead I’ll go with: Realmbuilder – Blue Flame Cavalry (though I haven’t heard the album yet) 5)

5)BEST SONGS OF 2013 
Wouldn’t know where to begin. I hardly ever pay attention to the names of songs so I wouldn't be able to tell you anyway.  
6) BEST OVERLOOKED ALBUM OF 2012  
I’m still discovering stuff from the ‘60s and ‘70s; I’ll get to 2012 in fifty years.
7) MOST ANTICIPATED ALBUMS OF 2014  
In no order:
Guided by Voices – Motivational Jumpsuit
Guided by Voices – Cool Planet 
Whatever else Robert Pollard puts out

8) I feel good about the music we made this past year, as Ice Dragon and in our other guises. I look forward to recording more music in the coming year.




Raul (Memento Mori rds)
BEST ALBUMS OF 2013  
COFFINS - The Fleshland
FUNERALIUM - Deceived Idealism
KRYPTS - Unending Degradation
DREAM DEATH - Somnium Excessum
ONIROPHAGUS - Prehuman
ATARAXIE - L’être et la Nausée
ABYSMAL GRIEF - Feretri
GRAVE MIASMA - Odori Sepulcrorum
SHADOW OF THE TORTURER - Dronestown
ILSA - Intoxicantations

BEST EPs/DEMOS OF 2013   
BÖLZER - Aura  
SHEOL - Promo MMXIII 
PRAISE THE FLAME - Profane Cult  
DEMENTIA 13 - Tales for the Carnivorous 
NECRORITE - In Death’s Certitude

BEST LIVE PERFORMANCES OF 2013  
I couldn’t attend barely any show this year. Budget’s tight and I chose to invest most of my money on the label.

BEST ALBUM COVER OF 2013 

AUTOPSY - The Headless Ritual

BEST SONG OF 2013   

SHADOW OF THE TORTURER - Indianapolis/Ukiah

BEST OVERLOOKED ALBUM OF 2012   

SINISTROUS DIABOLUS - Total Doom//Desecration

MOST ANTICIPATED ALBUMS OF 2014   

The new TRIPTYKON and the debut full-length by SWALLOWED. 
8) It was a pretty rad year labelwise, with great releases such as
Uncoffined, Symptom, Solothus and Chalice Of Doom that I didn’t mention on the “best albums of 2013” list out of a -most probably- stupid sense of modesty. Ahem. And regarding 2014, I just can’t fucking wait. We’ll be putting out more releases than ever before and I’m really anticipating them all.


Aleksey (T.o.P.)
1) BEST ALBUMS OF 2013
-Stangala / StoneBirds split “Kreiz-Breizh Sessions”
-Talbot “Scaled”
- Plöw “No Highness Below The Crown”
-Fanttasma “Another Sleepless Night”
- As_Autumn_Calls_-_Cold,_Black_&_Everlasting
-Absenth / Minded “Earthtone”
-Castero “Revolutions”
-Horse Latitudes “Black Soil”
-Sendelica “The Kaleidoscopic Kat And It’s Autoscopic Ego”
-Peacemaker “Cult.45”

2) BEST EPs/DEMOS OF 2013
1. The Moon Mistress “Shimla”
2. The Grand Astoria “Then You Win”
3. Arkham Witch “Hammerstorm”
4. The Curse of Wendigo “Wild Honey”
5. Nonsun “Sun Blind Me”

3) BEST LIVE PERFORMANCES OF 2013
-The Moon Mistress and Talbot gig in Saint-Petersburg. Even though I don’t remember a half of that evening.

4) BEST ALBUM COVERS OF 2013
Ocean Chief “Sten”
The Grand Astoria “Then You Win”
Talbot “Scaled”

5) BEST SONGS OF 2013
-Moss “Horrible Nights”
-Stangala “Konk Kerne”
- Plöw “Captain Gungus”
-Castero “He Must Rule”
-The Moon Mistress “Shimla”

6) BEST OVERLOOKED ALBUM OF 2012
-Realmbuilder “Fortifications of the Pale Architect” (it was re-released by I Hate Records in 2012, so it counts)

7) MOST ANTICIPATED ALBUMS OF 2014
-Realmbuilder “Blue Flame Cavalry”
-Jack Frost
-Echthros

8) On a more personal point of view, please give us your own appreciations about this year and - if there’s any particular - your expectations for 2014?
There was enough of doom in 2013 and there will be even more in 2014 as well there’re always a damned lot of opportunities to find perfect balance and harmony. Ohm shanti ohm.

9) BEST LABELS OF 2013
-I Hate Records
-Northern Silence



Vincent (Mourning Dawn)
BEST ALBUMS OF 2013
ORCHID – The Mouths of Madness
EIBON - II
GRAVE MIASMA - Odori Sepulcrorum
TEMPLE of BAAL - Verses of Fire
CARCASS - Surgical Steel
BLOOD CEREMONY - The Eldrith Dark
SATAN - Life Sentence
JEX THOTH - Blood Moon Rise
YEAR OF THE GOAT - Angels' Necropolis

2) BEST EPs/DEMOS OF 2013
BÖLZER - Aura
URFAUST - Die Erste Levitation

3) BEST LIVE PERFORMANCES OF 2013
AURA NOIR - Hellfest
JEX THOTH - Brussels – Magasin 4
NECROS CHRISTOS – Brussels – Magasin 4
SLEEP - Hellfest
GRAVEYARD - Hellfest
extra special mention to the first edition of WOLFTHRONE FEST near Paris. Two days of black death done the rightest way you could dream of!

4) BEST ALBUM COVERS OF 2013
- EIBON - II
- JEX THOTH - Blood Moon Rise

7) MOST ANTICIPATED ALBUMS OF 2014
 NECROS CHRISTOS
 PILGRIM
 THE WOUNDED KINGS

8) 2013 : seen lots of gigs. Way too many generic stoner bands calling themselves doom.
2014 : At least seeing URFAUST live (Brussels maybe, Hellfest for sure!) More doom gigs in Paris!

9) BEST LABELS OF 2013 
VAN Records
IRON BONEHEAD
SEPULCHRAL VOICE




Dana  (Beelzefuzz)
My favorites for 2013
Albums 
1. Black Sabbath -13
2. Cathedral- The Last Spire
3. Goatess- Goatess
4. Age Of Taurus- Desperate Souls Of Tortured Times
5.Uncle Acid and the Deadbeats- Mind Control
6. Curse The Sun- Psychache
7. Clamfight- I Versus the Glacier
8. Devil To Pay- Fate Is Your Muse
9. Weed Is Weed- Blunt Force Trauma
10. Admiral Browning- Give No Quarter

Demo/EP
1. Heavy Temple- Unholy Communion
2. Doctor Smoke- Doomo
3. Black Blizzard- Broken Hands, Broken Hearts
4. Slagstorm
5. Second Grave- Antithesis
Best Live Performances of 2013
1. Hammer of Doom!
2. Stoner Hands Of Doom
Most Anticipated Albums for 2014
1. Blood Farmers!
2. Pilgrim- Void Worship 
3. Serpent Venom- Of Things Seen And Unseen
4. Sigiriya- Darkness Died Today





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Check out PTI here w/ Huata, Electricjezus, Hollow Leg, ITCOS, Napalm Christ, Spiral Shades, Tombstones, Steve + Ulla &Steph from T.o.P., etc...

Wednesday, December 4, 2013

…nothing now remains: ICE DRAGON – ‘Steel Veins b/w Queen of the Black Harvest’

It’s become exhaustive conjuring forth adjectives and explanations describing how Ice Dragon pretty much do whatever the fuck they want. Under a handful of monikers Ron, Carter, Joe, and recent addition Brad have covered Sabbathian doom, Cthulhu-inspired drone-terror, dream pop, and with this year’s masterful ‘Born a Heavy Morning’ AM radio influenced tunes that transcend the source material simply by being channeled through the subconscious collective that is Ice Dragon. Despite the occasional curveball Ice Dragon have yet to make a weak album. Though 2013 hasn’t been quite as productive as 2012, the band has released some of its trippiest, most far-out material and, as Tentacle, some of the most sinister and acerbic. With 2013 coming to an end Ice Dragon have unexpectedly unleashed ‘Steel Veins b/w Queen of the Black Harvest’, two tunes that delve into the doomier side of the band. For those who have missed the doomed-out heft and crawl of ‘The Burl, the Earth, the Aether’, ‘The Sorrowful Sun’, or ‘Tome of the Future Ancients’—prepare to rock-the-fuck-out.

It’s clear from the first few notes of the opening bassline that “Steel Veins” is going to be something special. After the brief bass intro signifying nothing short of impending doom the guitars come crashing in for a wholly enjoyable experience. The guys still have it. “Steel Veins” has everything that made early Ice Dragon releases so great—crawling mid-tempo guitar crunch, simple yet ominous Mark Adams’ styled basslines, and Ron’s ability to pair his vocals with virtually any type of cacophony the band is creating. On the flip-side, “Queen of the Black Harvest” trades in a bit of the guitar crunch for a stoner-doom groove that is embellished with moments of crashing percussive noise, backwards winding tape abuse, and a return to the darker, fantasy inspired lyrics that would have been right at home amongst the tracks of ‘Tome of the Future Ancients’.

One of the most impressive aspects of Ice Dragon is that they are not afraid to experiment or push their creative boundaries. The band is able to draw from a variety of influences and styles in order to create something new without resulting in mere pastiche. And they do it well. The only significant thread throughout the band’s discography is a heavy dose of psychedelia and ‘Steel Veins b/w Queen of the Black Harvest’ is no exception.  Even though Ice Dragon has released a fair amount of material that could be considered doom, it had looked as if the heavier side of the band would be forever relegated to output from Tentacle. Again, Ice Dragon has thrown another curveball with “Steel Veins” and “Queen of the Black Harvest”—a Hell-of-a-way to close out the year. Highly recommended…

Words: Steve Miller




Wednesday, August 21, 2013

How strange when hallucinations die…ICE DRAGON – ‘Born a Heavy Morning’

Lo-fi vibes and orphaned transmissions are tuned-in and then rebroadcast through the aether on Ice Dragon’s seventh long-player, ‘Born a Heavy Morning.’ Seemingly content to move even further from the psych-inflected metal of the band’s peerless doom trilogy, the overall tone of ‘Born a Heavy Morning’ has more in common with last year’s tripped-out ‘Dream Dragon’, but musically lies somewhere between the melancholic folk of the “Season of Decay” single and the moody meditations of ‘The Soul’s Midnight’ EP.  Add to that blend heavy and unlikely doses of jangle-pop and whimsy and you might have an inclination of what to expect this time around. AM radio channeled through busted-up, acid-damaged transistors never sounded so good.
 Ice Dragon has been uncoiling and experimenting with their sound essentially since their inception, but 2012 marked a huge leap into unexplored territories for the band in regards to recorded output. It’s their collective ability to indulge whims and tread new paths all the while maintaining the semblance of cohesion and consistency that really separates Ice Dragon from the horde.
 With ‘Born a Heavy Morning’ the band is seemingly preoccupied with early-to-mid 60’s psych-pop, especially on the first half of the release. The album’s sunny—by way of The Monkees or The Turtles—opener, “Wakin’ Up”, is a fleeting and fanciful tune that could easily have been released by any of the acts associated with 60’s revivalist collective the Elephant 6 Recording Co. “In Which a Man Rises, Washes, and Eats Before Work”, the first of four dreamy and hazy soundscape interludes, reinforces the idea of having a “heavy morning”. “We’ll Go on a Trip, You and I”, initially sounds like the bouncy, whimsical companion piece to the opening track, but the band filters the tune through a sheet of blotter, the results of which seem to bridge the incomprehensible gap between Syd Barrett’s ‘The Madcap Laughs’ and ‘Yerself is Steam’ era Mercury Rev.
 While ‘Born a Heavy Morning’ may have its fair share of blissed-out tunes the album isn't all incense and peppermints. “The Past Plus the Future is Present”, arguably one of the album’s highlights, is a brooding, otherworldly voyage where siren-like guitars wail and moan over a thick bassline for what remotely sounds like, musically, an unearthed Portishead demo. “We are the Hopeless’, with its Birthday Party-like guitar riff and Ron’s baritone Nick Cave croon, echoes the post-punk and goth-rock leanings of the band’s alter-ego, Slow Heart. Adding to the eclectic nature of “Born a Heavy Morning” is the melancholic blues of the outstanding ninth track, “Square Triangle”. Here Ice Dragon layers slide guitar beautifully over a morose, downtrodden groove. Closing out the album is “(I Will) Watch My Hair Grow”, a moving, somber track that captures the dysphoria of a morning comedown.
 After Ice Dragon’s appearance at the Scion Rock Fest this past June I was expecting the band’s predilection for doom to be reinvigorated and for ‘Born a Heavy Morning’ to be, well…heavy as fuck. Despite the lack of “heaviness”, ‘Born a Heavy Morning’ is the band’s trippiest and most diverse album to date and the perfect way to cap off a summer. Another killer, eclectic release from the ever-evolving Ice Dragon. Also notable is that this is the band’s first release to be issued on CD courtesy of Navalorama Records.
Words: Steve Miller

Friday, February 1, 2013

... Fuck your existential crisis : ICE DRAGON – ‘The Soul’s Midnight’ EP

The doomed-out dabblers of supreme skull-fuckery, Ice Dragon, have made their first offering of 2013—presumably/hopefully the first of many—a four song EP that in its earliest incarnations yielded both “drunk” and “high” versions of the title track. ‘The Soul’s Midnight’ finds the three-piece mining the morose, down-tempo landscapes of ‘greyblackfalconhawk’ but without the overarching drone influences. Like the rest of the band’s releases ‘The Soul’s Midnight’ is its own beast, yet the end result is irrefutably the product of the ever-evolving Ice Dragon.

A writhing bass line carries the weight of lead track “The Soul’s Midnight” of which the final mix is rumored to be the “really really high” version. A sinister, forlorn vibe permeates the track as it marches forward. While the opener relies heavily on repetition there are enough subtle nuance that keep the track interesting, particularly near the three minute mark where the song momentarily deconstructs before quickly reconstituting awash in eerie synths. The second track, “Understanding Ouroboros”, kicks off at a galloping pace and builds in intensity before the bottom falls out and the listener plummets into the depths of paranoia. “Stellar Door”, is an ambient piece of rolling synth waves that, at times, recalls Lalo Schifrin’s film score to THX-1138. It’s cold, desolate, and thematically right at home amongst the four tracks of the EP. At ten minutes in length “Winterwind” closes out the collection. The first half of the track is a mellow, reverb heavy meditation that musically calls to mind the band’s goth-rock project, Slow Heart. “Winterwind” slithers forward while almost imperceptibly increasing in severity until eventually escalating into a mid-paced stomping rhythm.

Ice Dragon’s ‘The Soul’s Midnight’ is a moody, somber affair that finds the band, once again, indulging their whims and journeying into unexpected sonic territories. The band continues to astonish not only with the quantity of the music that they are able to produce, but also with the quality of the tunes. If anything it is the band’s sheer love of music, among other artistic forms, that comes across in their recordings. ‘The Soul’s Midnight’ can momentarily stave off the dysphoria—a symptom created by the band’s prolific nature—that is associated with waiting for the next Ice Dragon release or material from the many associated off-shoots.

Words: Steve Miller
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